Fingerboard

The fingerboard is a key point of connection with the stopped string. Its shape, both longitudinally (scoop) and transversely (camber) is a critical component of the feel of the bass under your hands. A well-shaped fingerboard will enable all strings to vibrate cleanly in all registers.

After a period of active use, all fingerboards will get worn by the strings and develop buzzes and flat-spots. In time, some necks warp and twist, and this adversely affects playability.

Fingerboard dressing is a specialist job that can restore the shape, smoothness and playability of the instrument. It involves carefully planing a gentle curving scoop under each string and blending the whole board surface as one, and working up a high polish.

This next image is the view looking down from the nut end of a newly-finished fingerboard. Reflected in the shine of the board is the grid test pattern I have placed at the other end of the workshop. The even-ness and smoothness of the lines reflected in the fingerboard indicate the smoothness of the surface and the curves I have planed into the board.

If a fingerboard is too thin it may need replacing. If this is necessary I recommend adding a carbon fibre rod insert into the neck itself, to strengthen and stiffen the neck. This is an invisible and inexpensive modification that can make a significant improvement to the clarity of tone and sustain.